बीसवीं शताब्दी के उत्तरार्ध में विभिन्न नारीवादियों ने तर्क दिया कि लिंग की भूमिका सामाजिक रूप से निर्मित है, और यह कि संस्कृतियों और इतिहासों में महिलाओं के अनुभवों को सामान्य बताना असंभव है। उत्तर-संरचनात्मक नारीवाद, उत्तर-संरचनावाद और विखंडन के दर्शन पर बहस करने के लिए यह तर्क देता है कि लिंग की अवधारणा सामाजिक और सांस्कृतिक रूप से प्रवचन के माध्यम से बनाई गई है। उत्तर आधुनिक नारीवादियों ने लिंग के सामाजिक निर्माण और वास्तविकता की विवेकी प्रकृति पर भी जोर दिया। ट्रान्सजेंडर लोग[संपादित करें]

Sulochana’s poems, both equally in the initial As well as in translation, could possibly be composed plainly but it would be an awesome disservice to phone them easy. The poems, 32 of these Within this new translation, are misleading. They speak plainly but are inherently elaborate. Get, As an example, this translation: 

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By embracing the darkness of your night time, Sulochana rejects the dark-light-weight binary. The evening gives birth to The sunshine, in Substantially a similar way that it provides beginning to Sulochana herself and her producing. In one of my favored poems from the gathering, Sulochana (and Gurung) reappropriate the intended violence from the evening:

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यह लेख निम्न विषय पर आधारित एक श्रेणी का भाग हैं

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It would certainly be a needed job but it's 1 fraught with troubles, albeit all of which have been managed adroitly by Gurung and Sulochana herself. 

Whilst Spivak would not produce in the politics of translating a piece from English into other languages, It might be safe to surmise that this process alone is crammed with pitfalls but can in the long run become a liberating experience. English is hegemonic in its utilization and its history, as Adichie herself exemplifies.

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शुक्र प्रतीक पर आधारित नारीवाद का प्रतीक।

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